Henry Biva (1848-1928

The painting ‘Les brumes du matin - Villeneuve l’étang’ by Henri Biva can be more accurately described both Impressionistic as well as  Realistic. While Henri Biva’s work does share similarities with Impressionism, particularly in his use of light, his detailed and precise style aligns also closely with Realism. This distinction highlights his commitment to portraying nature with a high degree of accuracy and clarity.

 

 

 Elements of both Impressionism and Realism

 

Impressionists often used loose, visible brushstrokes to capture the fleeting effects of light and color. Biva’s technique, however, is more refined and smooth. His meticulous brushwork and the precise depiction of natural elements are hallmarks of Realism. He focuses on capturing the scene with great accuracy and detail.

 

 

Focus on light and color

 

Although Biva does use light effectively, his method is more about creating a realistic representation rather than capturing a momentary impression. Emphasizing light and atmosphere, his approach is more controlled and deliberate compared to the spontaneous and often sketch-like quality of Impressionist works.

Biva often painted outdoors, which allowed him to capture the transient effects of light and atmosphere directly from nature. This technique is evident in the fresh and spontaneous feel of the painting.

 

Impressionist compositions often have a more dynamic and informal structure, whereas Biva’s composition is balanced and carefully planned. The painting depicts a serene, unembellished landscape, typical of Realist artists who aimed to portray everyday scenes without idealization.

The painting features a harmonious palette dominated by greens and blues, with subtle variations to depict the different elements of the landscape. The colors are blended smoothly, enhancing the overall serene and peaceful mood of the scene.

 

 

Provenance

 

Private collection US

Henri Biva (1848-1929), born in Paris, was a renowned French artist celebrated for his exquisite landscape paintings and still lifes. 

He grew up in an artistic environment, which greatly influenced his career. 

 

 

Studies

 

Biva studied at the prestigious École des Beaux-Arts in Paris, where he was taught by notable artists such as Léon Tanzi and Alexandre Nozal.

 

He also attended the Académie Julian, where he was influenced by William-Adolphe Bouguereau, Jean-Joseph Benjamin-Constant, and Jules Joseph Lefebvre. These experiences helped shape his meticulous and controlled style, which combined elements of Realism, Naturalism, and Post-Impressionism.

 

 

Inspired by Paris area

 

Henri Biva’s work is characterized by its intricate brushwork and a pure palette bathed in warm natural light. He was particularly known for his plein-air paintings, capturing the serene beauty of the western suburbs of Paris. His landscapes often evoke a sense of timeless tranquility, free from the disruptions of industrialization.

 

Throughout his career, Biva exhibited regularly at the Paris Salon and other prestigious venues. He received numerous accolades, including a bronze medal at the Exposition Universelle in 1900 and the honor of being named a Chevalier of the Legion of Honour in the same year. His works were highly sought after by both private collectors and public institutions.

 

Henri Biva continued to paint and exhibit his works until his death on February 2, 1929, in Paris. 

His legacy lives on through his beautiful depictions of nature, which continue to be admired for their technical skill and serene beauty.

 

 

 

 Museums

• Paris, Musée d’Orsay
• Paris, Musée du Luxembourg
• Bremen, Germany, Kunsthalle Bremen
• And more